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1905—2005百年电影从头看。为了永恒的纪念,本刊特选取了一个容易被忘却的角度:中国电影中的残疾人形象。不断延长的胶片上,残疾人的光影留存自有它耐人寻味、意义非凡的地方。我们在浩如烟海的百年以来的中国电影中,尽力搜寻、翻检出一些能够引起注意、具有某种代表性的残疾人形象。《盲孤女》、《五更寒》、《汪洋中的一条船》、《小城故事》、《独臂刀》、《城南旧事》、《儿子的大玩偶》、《春桃》、《悲情城市》、《幸福时光》、《边走边唱》、《跛豪》、《明姑娘》、《启明星》、《无声的河》、《阳光灿烂的日子》、《赢家》、《黑眼睛》、《洗澡》、《漂亮妈妈》、《妈妈》、《暖》、《孔雀》……我们还采访了近些年来,拍摄出影响较广的表现残疾人生活的电影的导演——谢晋、张艺谋、孙周、顾长卫、张元、张扬,希望从他们的身上看到中国电影的传承和精神、气质与个性,特别希望从他们各自的镜头中解读出中国当代电影对残疾人现实生活和内心梦想的解读。
1905-2005 Centennial movie look from scratch. In order to commemorate the eternal, this article selected a particularly easy to forget the point of view: the image of disabled people in Chinese movies. Continued to extend the film, the disabled person's light and shadow retained its intriguing, meaningful place. We have searched and pinpointed a number of striking and representative images of the handicapped in a hundred-year-old Chinese movie that is so vast. “Blind solitary woman”, “five more cold”, “a boat in the ocean”, “town story”, “one arm”, “south of the old things”, “son's big doll”, “spring peach” “” Happy Hour, “” Singing Along, “” Lama Howe, “” Ming Girl, “” Venus, “” Silent River, “” Sunny Day, “” Winner, “” Dark Eye, “Bathing”, “Beautiful Mother”, “Mother”, “Warm”, “Peacock” ... We also interviewed in recent years, the filming of a more influential performance of disabled people's films director - Xie Jin, Zhang Yimou, Sun Zhou, Gu Changwei, Zhang Yuan and Zhang Yang hope to see the inheritance, spirit, temperament and personality of Chinese movies from them, and especially hope that from their respective scenes, they can interpret the contemporary Chinese films' real life and inner dreams Interpretation.