时装画的回归

• 作 者: 胡越
• 出 处: 国际市场
• 发表日期: 1995年11期
• 关键词: 时装画 服装画 冒险精神 流行艺术 全盛时期 一史 低谷时期 效仿者 艺术样式 令人

20世纪90年代,出现了国际性的时装画回归,不仅因为其实用性功能,更因为它已逐渐形成了一种艺术的表现形式。在这一历史性的回归中,最令人激动的是几家出版社在欧洲的设立,它们委重任于艺术家们,他们主持着首要的视觉效果的事务,其中比较突出的有法国的刊物La Mode an Peintrne和意大利的Vanity,两者现今都已成为大批天才的,有创见的,富冒险精神的时装画新秀的特展。 艺术家们在如此广阔的空间里自由地描绘时尚并

In the 1990s, an international return of fashion art emerged not only because of its practicality but also because it has gradually evolved into an art form. Among the most exciting of this historic return was the establishment of several publishers in Europe, which are entrusted to artists who preside over the primary visual effects business, notably the French publication La Mode an Peintrne and Italy’s Vanity, both have become a special show of talented, creative and adventurous fashion rookies today. Artists are free to portray fashion in such a vast space