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因为烟瘾也上来了,黄宗江便寻思向别人借几支烟来抽,回去后再还。可转圈儿看了一遍后不免有些沮丧。那还是在上世纪时的六十年代,作为八一厂的故事片编剧,黄宗江与厂里的几位纪录片编导从烽火硝烟的越南南方完成工作任务后回到北京时,正赶上“文革”动乱的开始,为数众多的作家、艺术家相继遭遇了残酷无情的迫害与打击。曾写过《柳堡的故事》的黄宗江自然不能
Because of addiction also came up, Huang Zongjiang will find someone to borrow a few cigarettes to smoke, go back and then back. Can turn around after reading it inevitably a little frustrated. It was still in the 1960s when, as a screenwriter of the story of Bayi Factory, Huang Zongjiang and several documentary directors at the factory returned to Beijing after completing their tasks in the war-torn southern Vietnam and were caught up with the “Cultural Revolution” "The beginning of the turmoil, a large number of writers, artists have suffered a cruel persecution and combat. Huang Zongjiang, who wrote The Story of Liubao, can not