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伟大领袖毛主席说:“正确的东西总是在同错误的东西作斗争的过程中发展起来的。真的、善的、美的东西总是在同假的、恶的、丑的东西相比较而存在,相斗争而发展的。”无产阶级文化大革命以来,在学习、移植革命现代戏的过程中,往往在音乐、唱腔设计方面,由于受主弦(板胡、墜胡)条件的限制而不能充分地表现出时代气氛,更不能较圆满地抒发无产阶级革命的激情。例如:豫剧的主弦——板胡,由于使用粗牛皮弦,特大弓子,
Chairman Mao, the great leader, said: “The right thing is always developed in the struggle against the wrong thing. The true, the good, and the beautiful things are always compared with fake, evil, ugliness Existence and struggle. ”Since the Great Proletarian Cultural Revolution, in the process of learning and transplanting the modern drama of the revolution, it is often impossible to adequately control the design of music and aria because of the limitations of the main strings (Banhu, Peihu) Showing the atmosphere of the times and failing to express the passion of the proletarian revolution more satisfactorily. For example: the main string of opera - Banhu, due to the use of coarse leather strings, extra large bow,