精辟的演绎与归纳——评高鑫教授著《电视纪录作品创作》

• 作 者: 凌江
• 机 构: 北京广播学院
• 出 处: 当代电视
• 发表日期: 2002年09期
• 关键词: 电视纪录片 作品创作 纪实作品 探索式 藏北人家 望长城 中国纪录片 电视评奖 电视节目形态 节目类型

关于电视纪录片和电视专题片的讨论甚至争议由来已久,辩论的焦点往往涉及:哪一种称谓更准确?二者之间有何相同?有何差异?应当两者并存还是树立其一作为标准?理论上的困惑容易导致实践上的踌躇,伴随着这种探索式的争鸣,中国的电视纪录片和专题片走过了近十年的历程,其间虽也有精品亮相,局部繁荣,但总体步伐仍显迟缓。

The discussions on TV documentaries and television feature films have been controversial for a long time. The focus of the debate often involves: Which appellation is more accurate? What is the difference between the two? What is the difference? Should the two coexist or establish one as the standard? Theoretical puzzles are likely to lead to practical hesitation. With this exploratory argument, China’s television documentaries and feature films have gone through nearly a decade of experience. Although there are also excellent appearances and partial prosperity in China, the overall pace remains Obviously slow.