风啊,水啊,一顶桥——我所认识的木心

• 作 者: 王琪森
• 出 处: 上海文学
• 发表日期: 2017年02期
• 关键词: 木心 滚滚红尘 自我救赎 走出国门 设计组 绘画馆 茅盾故居 广西师大出版社 上海美专 上海工艺美术

现在想来,我更敬佩他在五十七岁后,还勇敢地走出国门,有些决绝地漂泊异乡。他曾说过:“一切崩溃殆尽的时候,我对自己说:‘在绝望中求永生。’”如果他当年不是决然地悄无声息地出走,就不会有今天如此不同凡响的归来。他极有可能湮没于滚滚红尘,或是消失于漫漫俗世,从而使世间不曾有过木心。他是以出走这样的方式,实现了人生的自我救赎及生命的自我涅槃,然后再用归来证明他的存在和价值。这是他所崇尚的尼采式的廻然独立

Now I want to come, I even admire him after the age of fifty-seven, but also bravely go abroad, some decisive to wander. He said: “When everything collapsed, I said to myself: ’Seek eternal life in despair.’” If he did not leave quietly and quietly that year, he would not have been so extraordinary today Back. He is most likely buried in the darling of the earth, or disappeared in the long secular world, so that the world never had a wooden heart. In a way like this, he realized the self-redemption of life and the self-nirvana of life, and then used it to prove his existence and value. This is Nietzsche’s indifferent independence that he advocates