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今年是鲁迅先生诞辰110周年,也是中国新兴木刻运动60周年,此时,特别容易忆及鲁迅先生对中国新兴木刻一代人的培养和关怀!我在木刻历程上的起步,就是鲁迅先生教导的结果。1930年夏,我在上海参加了中国左翼作家联盟举办的暑期文艺讲习班,看到鲁迅编选、出版的外国木刻画册后,开始认识到,搞木刻创作,工具简单,便于复制、流传,是宣传工作的有力武器。我回到当时的国立杭州艺术专科学校后,就自己学着动手刻起木刻来了。1931年6月,杭州“一八艺社”通过鲁迅的关系,由内山完造介绍,在上海虹口日本“每日新闻社”楼上,举办“一八艺社习作展览会”前,鲁迅先生特地为《一八艺社习作展览会画册》撰写了一篇对
This year marks the 110th anniversary of Mr. Lu Xun’s birth and also marks the 60th anniversary of the new woodcut movement in China. At this time, it is particularly easy to recall Mr. Lu Xun’s training and care for the new generation of woodcut generations in China! My starting point in woodcut history is the result of Mr. Lu Xun’s teaching . In the summer of 1930, I participated in a summer literary workshop organized by the Chinese Left-wing Writers Union in Shanghai. After I saw the foreign woodcut pictures compiled and published by Lu Xun, I began to realize that it is easy to copy and spread woodcut making tools with simple tools, A powerful weapon for work. When I returned to the then state college of art in Hangzhou, I learned to carve woodcut myself. June 1931, Hangzhou “18 Arts and Social ” Through the relationship between Lu Xun, introduced by Uchiyama completed in Shanghai Hongkou Japan “Daily News Agency ” upstairs, organized “Before, Mr. Lu Xun specially for the” one eight art excercise exhibition album "wrote an article