诗意来自寓情于景——简谈潘崮的画

• 作 者: 华夏
• 出 处: 美术
• 发表日期: 1997年11期
• 关键词: 寓情于景 画中有诗 主观情意 写情 整体面貌 春回 作品主题 主题思想 牛群 绘画理论

凡是能以真实生动的景物形象引起观者的共鸣和有着不同程度的耐人与寻思的感染作用,就一定程度地具有我们通常所说的“画中有诗”的诗意作用的所在。 但是,产生这种富有诗意的艺术效果是有条件的。条件就是一要寓情于景;二要真实生动。这也就是运用“借景写情”的手法,将所描绘的景物画成为情景交融而又真实生动的形象。诗意就是从这种形象中产生。

All of them can bring about the resonance of the audience with the vivid scene image and have the infertility and thought-provoking infection to a certain extent, which to some extent has the poetic function of what we usually call “the poem in the painting”. However, there is a condition for producing such poetic artistic effect. The condition is to have an affection in the King; Second, to be vivid. That is to say, by using the technique of “borrowing scenery to write love”, the depicted scenery is painted as a vivid and vivid image. Poetic is generated from this image.