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20世纪文学在叙事风格上与创伤领域的“创伤后遗症”产生了对接,一方面折射出社会创伤的问题,另一方面起到了修复创伤世纪的作用。当代加拿大作家玛格丽特·阿特伍德的小说呈现出创伤的叙事性和叙事的创伤性相互呼应的特质。在小说《猫眼》中,阿特伍德以“抑郁症式”的现代主义叙事风格展现了主人公伊莱恩的童年创伤经历。而在《盲刺客》中,她则以“精神分裂式”的后现代叙事风格展现了战争创伤、代际创伤、性别创伤等多种创伤范畴。最终,在叙述症候的过程中,阿特伍德通过不断寻求救赎的人物暗示了当代文学创作的“机械反映”误区,探求了连接过去与未来连续体的方法,展现了作家对创伤之后的心理重塑的洞见。
Twentieth Century literature in the narrative style and the traumatic field “trauma sequelae ” had a docking, on the one hand reflects the issue of social trauma, on the other hand played a role in the restoration of the century of the wound. Contemporary Canadian writer Margaret Atwood’s novel presents traumatic narrative and narrative traumatic interaction. In the novel The Cat’s Eye, Atwood demonstrated the childhood traumatic experience of the protagonist Elaine in the modernist narrative style of “Depression”. In the “Blind Assassin,” she presents “traumatic” postmodern narrative style of war trauma, intergenerational trauma, gender trauma and other traumatic categories. Finally, in the process of narrating the symptoms, Atwood sought to find a way to connect continuums of the past and the future through the “mechanical reflections” misunderstandings of contemporary literary creation through his constant search for redemption, Insight into psychological remodeling.