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我国民间传统艺术和贝尔纳卡特林在绘画中对于高纯度色彩的运用,加强了我们对高纯度色彩在当代油画中运用的重视。本文将通过对作品的分析,在中西差异的基础上,探讨民间色彩对绘画语言的发展。
China’s traditional folk art and Bernard Catlin’s use of high-purity colors in paintings have strengthened our emphasis on the use of high-purity color in contemporary oil paintings. Based on the analysis of works, this article will explore the development of folk language on the language of painting based on the differences between China and the West.