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身居闹市的人们,总想找一方净土,去散散心,呼吸一下新鲜空气,享受一下大自然的纯真、洁净。勤于思考的画家陈世戈,近两年创作的山水画,就是适应了人们的这类心态。无论是《青山叠翠》、《山川出云》,或是《蒙山雨过》、《溪山幽居》,他都力图写照自然,返璞归真,揭示大自然从内涵到外象的真、善、美。画中一山一水,一草一木,都是天工造就,任其自然,特别舒展、清澈,充分地展现了大自然宏伟的气势,微妙的生机,内在的灵气。与描写对象和追求相应,他吸取了黄宾虹的一些理念和技法,笔墨拙朴、苍润、厚重,繁而不乱,满而透气,使画面更符合自然的
Living downtown people, always looking for a party Pure Land, to relax, breathe fresh air, enjoy the innocence of nature, clean. Diligent thinking painter Chen Shige, the past two years, the creation of landscape painting, is to adapt to people’s minds of this type. Whether it is “Aresan Pinchu”, “mountains and rivers Izumo”, or “Meng Mountain rain”, “Mountain seclusion”, he tried hard to portray nature, back to nature, revealing nature from the connotation of the true, nice. Paintings in a mountain of water, plants and trees, are created by nature, let it natural, especially stretch, clear, fully demonstrated the magnificent momentum of nature, subtle vitality, the inner aura. Corresponding to the description of the object and the pursuit, he learned a number of Huang Binhong’s ideas and techniques, brushstrokes, Cang Run, thick, complex and not chaos, full and breathable, so that the picture more in line with the natural