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2000年11月9日,一篇题为《粤剧潜藏危机,专家呼吁改革》的新闻醒目出现在南粤一家大报上,文中写道:“1956年广州市区当年演出粤剧约7200场,观众达600万人次,但是到去年,市区只演出了204场,观众9.0066万人次”,“现在一年的粤剧观众比40多年前锐减98.5％”。字里行间发出一个不祥的信号:粤剧遭到都市观众“抛
On November 9, 2000, an article titled “Lurking in Cantonese Opera Crisis and Experts Calling for Reform” appeared prominently in a big newspaper in southern Guangdong. It said: “In the year of 1956, there were about 7,200 performances of Cantonese opera in Guangzhou’s urban area. However, by last year, only 204 performances were performed in the urban area with a total audience of 906.66 million. ”“ Cantonese opera audiences now have a sharp drop of 98.5% over the past 40 years. ” An ominous signal elicited between lines: Cantonese opera was thrown by urban audience