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表层上看徐小斌的《敦煌遗梦》其实就是一部“科普知识+爱情故事”的作品。作家致力编织的世界,是想调动佛教知识、禅宗知识、绘画知识等,还有传播在民间的佛故事张扬佛文化和敦煌文化,以这两个文化为圆心牵出一些和佛有关的人,来讲和听佛的故事,人和人再跟佛再发生故事。这种构思很好,但人还是人,没因佛光照耀而立地成佛;佛还是佛,未因顶礼膜拜而灵光四射。给读者的疑惑是作者在写科普读物还是在写小说?《敦煌遗梦》又像
Xu Xiaobin on the surface of the “dream of Dunhuang” is actually a “science knowledge + love story ” works. Writers are committed to weaving the world, is to mobilize Buddhist knowledge, knowledge of Zen, painting knowledge, as well as dissemination of folk stories spread Buddhism and Dunhuang culture, with these two cultures as the center pull out some people related to the Buddha, Speaking and listening to the story of Buddha, people and then talk to the Buddha and then the story. This concept is very good, but people are still human, not due to the Buddha light shines and Buddha; Buddhism or Buddha, not because of worship and glittering. The reader’s doubt is that the author is writing popular science books or writing fiction?