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在中国的当代陶艺发展之中,更多的青年陶艺家对于自己的作品有了更新颖的表现方式,但是他们并没有逻辑性的进入到特定的形式和釉色的表达之中,而许润辉的物语系列,已经显现出朝着这种方向表现的探索雏形,使本来已经非常完美的宋代器形,通过工具的切削,并且兼有拉坯成型的流畅感,使这种直接的、主观的表现方式,第一次进入到自我语言表达的状态里面,其实仅仅就这一点来看,对于当今的陶艺家来说已经是难能可贵。通过系列性作品的梳理,他所独有的艺术语
In the development of contemporary Chinese pottery in China, more young potters have a more novel way of presenting their works, but they do not logically enter specific forms and expressions of glaze. Xu Runhui’s story Series, has shown an exploration of the prototype in this direction, so that the already very perfect shape of the Song Dynasty, through the cutting tool, and both forming the flu, so that this direct, subjective expression , For the first time into the state of self-expression, in fact, just on this point of view, for today’s potters is already commendable. Through the series of works combing, his unique artistic language