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我国目前通行的西方音乐通史著作版本有:国内学者的编著有《西方音乐通史》(于润洋主编,以下简称《通史》),《西方音乐史简编》(沈旋等主编,以下简称《简编》),《西方音乐史略》(李应华著)…;外国学者的编著有《简明牛津音乐史》(英国杰拉尔德·亚伯拉罕著,顾犇译,钱仁康杨燕迪校,以下简称《牛津》),《西方音乐史》(美国唐纳德·杰·格劳特著,汪启璋等译,以下简称《西方》),《西方文明中的音乐》(美国保罗·亨利·朗著,杨燕迪等译,以下简称《文明》)…由于研究侧重点的不同,《西方文明中的音乐》属于音乐文化史的范畴,其他的论著都应看作音乐风格史。
The editions of the general history of western music history prevailing in our country are as follows: The domestic scholars compile “General History of Western Music” (edited by Yu Runyang, hereinafter referred to as “General History”), “A Brief History of Western Music History” (edited by Shen Xuan, hereinafter referred to as “ ”),“ A Brief History of Western Music ”(written by Li Yinghua); foreign scholars have compiled“ Concise History of Oxford Music ”(Gerald Abraham, Gu Benbing, Qian Renkang Yang Yan Di School, hereinafter referred to as“ Oxford ” ), “History of Western Music” (translated by Donald J. Grout of the United States and Wang Qizhang, hereinafter referred to as “the West”), “Music in Western Civilizations” (translated by Paul Henry Lang of the United States and Yang Yan Di et al. Referred to as “civilized”) ... Due to the different research emphases, “music in Western civilization” belongs to the category of music and cultural history, other works should be regarded as the history of musical style.