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在当代,传统戏曲在艺术格局中的边缘化并不代表艺术价值的衰减。相反,戏曲所具有的古典艺术、民族艺术的双重身份,在文化全球化与文化多元化的背景下更加显现出其固有价值。互联网时代的戏曲网站是戏曲传播的一种传承与转型,无疑具有重要意义。本文通过对2005、2007、2008三年的戏曲网站的调查数据,从戏曲网络传播的意义、戏曲网站概况、网络戏曲传播特点以及多维度的思考等几个方面来对戏曲网站现状进行研究,以期能够全面地把握戏曲网站的现状和发展趋势,为戏曲在互联网时代的传播作出一些有益的探索。
In the contemporary era, the marginalization of traditional opera in the art landscape does not represent the decay of artistic value. On the contrary, the dual identities of the classical art and the national art of the opera show their inherent value in the context of cultural globalization and cultural pluralism. The drama website in the internet era is a kind of inheritance and transformation of drama communication, which is undoubtedly of great significance. Based on the survey data of the opera websites in the three years of 2005, 2007 and 2008, the significance of the dissemination of the drama networks, the general situation of the opera websites, the characteristics of the network drama communication and the multidimensional thinking, this paper studies the current situation of the opera websites, It can fully grasp the status quo and development trend of the opera websites and make some useful explorations for the spread of the opera in the Internet era.