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解放军的戏剧工作,始终是生龙活虎般地走在我们戏剧战线的最前列。一九六○年军委扩大会议决议指出,部队的文艺工作必须密切结合部队任务和思想情况,为兴无灭资,巩固和提高战斗力服务。部队戏剧工作者坚决贯彻军委和林彪同志的指示,大学毛主席著作,深入连队,大搞“三结合”,大搞“三过硬”,创造了光辉的成就。解放军的戏剧工作,是我们的学习榜样。向解放军戏剧工作学习,学习什么?本刊这一期发表了几篇红军和八路军文艺工作者的回忆录,又介绍了解放军文工团的一个先进标兵海防文工团的事迹。在这些文章中,可以清楚地看到,我们部队的宣传队一直是在毛泽东思想指导下建立起来的,它的政治方向十分明确,工作方法十分机动灵活,作风十分艰苦朴素。部队戏剧工作者坚
The PLA’s drama work has always been at the forefront of our theater front. The resolution of the CMC’s enlarged meeting in 1960 pointed out: The literary and art work of the armed forces must closely integrate the tasks and ideological conditions of the armed forces so as to serve the purpose of consolidating and improving combat effectiveness. Force theater workers resolutely implemented the instructions of Comrade CMC and Lin Biao, wrote Chairman Mao’s work in universities, went all out to the party, vigorously promoted “three combinations” and vigorously promoted “three perfectnesses” and created brilliant achievements. PLA drama work is our learning model. In this issue, I published several memoirs of literary and art workers from the Red Army and the Eighth Route Army, as well as the deeds of the Haiphong Art and Culture Corps, an advanced pacesetter of the PLA Art and Culture Corps. In these articles, we can clearly see that our force’s propaganda team has been established under the guidance of Mao Tse-tung’s thought. Its political orientation is clear and its methods of work are very flexible and flexible. Force theater worker Kennedy