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上世纪30年代,我国电影进入有声时代,聂耳不仅是引领左翼运动的先锋,亦是电影歌曲创作中一位骁勇战将,创作了大量珍贵、难忘的音乐作品。在有声电影的初期,聂耳创作的富有时代号召的电影歌曲响彻全国。他在电影音乐创作中融入了中国传统音乐元素,采用中西结合的创作手法,反映当时阶级、民族压迫下劳苦大众的生活面貌。他用音乐代替人民呐喊,具有鲜明的无产阶级的音乐特征,推动我国早期电影歌曲事业的发展,在音乐历史上具有重要意义。
In the 1930s, when the movie of our country entered the vocal era, Nie Er was not only the vanguard of leading the left-wing movement but also a valiant warrior in the film songwriting and created a large number of precious and memorable musical works. In the early days of the sound film, Nie Er created the era-calling movie song rang across the country. He incorporated elements of Chinese traditional music in the creation of cinematic music and used the creative techniques of combining Chinese and Western elements to reflect the living conditions of the working-class people under the oppression of the class and nation. He replaced the people’s cry with music, with distinctive proletarian musical features and promoting the development of early movie and song in China, which is of great significance in the history of music.