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本文在概述世界艺术史研究脉络的基础上,指出我国艺术史研究沉闷、单调的重要原因是专业院校艺术史教学模式化的结果。艺术史本体是惟—和永恒的,是不可逆转的时间过程中的一种创造活动。后人对它的辨认、评价却不具备惟一永恒性和确定性,惟此构成艺术史学科的丰富性、多元性和无限可能性。所以要从改变一贯的模式化的艺术史教材编写体例开始,在教学方法上,敢于对传统艺术史现状提出诘难的批判精神。这样我国的艺术史研究和教育才能真正揭示人类审美中的内在规律,显示艺术史自身的特定品性。
On the basis of an overview of the research history of art history in the world, this article points out that the important reason why the study of art history in our country is dull and monotonous is the result of the mode of art history teaching in professional colleges. Art history is the body of the only - and eternal, is an irreversible time course of a creative activity. The descendants’ identification and evaluation of them do not have the unique permanence and certainty, but they constitute the richness, diversity and unlimited possibility of art history. Therefore, we should start from changing the writing style of the modeled historical art teaching materials, and dare to criticize the traditional art history status quo in the teaching methods. In this way, the research and education of the history of art in our country can really reveal the inherent laws of human aesthetics and show the particular character of art history itself.