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近年来,话剧舞台上出现了一些新的形式,对剧本结构、舞台处理都进行了有益的探索,而主要目标似乎集中在打破舞台的时空限制,要求在舞台上能容纳更大量的生活。容量大,就得速度快,“多场景、大跳跃”的结构形式就是在这种思想指导下产生的。当然,它的某些长处是不容忽视的,比如有利于在多种环境中表现人物多种的思想情绪,场景多变,艺术上也有新鲜感。扩大舞台表现力,实际上从有戏剧以来,戏剧界的先辈们就一直为这个
In recent years, there have been some new forms on the stage of drama, which have made useful explorations on the script structure and the stage management. The main objective seems to be to focus on breaking the time and space constraints of the stage and to accommodate a greater amount of life on stage. Large capacity, you have to speed, “multi-scene, big jump” structure is generated under the guidance of this idea. Of course, some of its strengths can not be ignored, for example, in a variety of environments conducive to the performance of a variety of people’s emotions, changing the scene, there are artistic new. Expand stage performance, in fact, since the drama, the ancestors of the theater industry has been for this