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在极权主义文化环境中,苏联导演塔尔柯夫斯基(1932——1986)是作为“事故”出现在人们面前的。他富有诗意哲理的影片,从某个迂回、深邃的角度与其所处的意识形态进行了富有成效的对话。在一种夸大其词、道听途说的文化气氛中,塔尔可夫斯基坚持认为只有用自已的真切体验得来的真理,才是可靠、可信的。该文分析了在这条与众不同的方向上,导演如何通过自已每一阶段不同的作品,实践了艰辛而伟大的精神探索。
In a totalitarian cultural environment, Soviet director Tarkovsky (1932-1986) appeared as an “accident” before people. His poetic philosophical film has conducted fruitful dialogues with his ideology from a circuitous and profound point of view. In a rhetorical and hearsay cultural atmosphere, Tarkovsky insists that only the truth derived from his own true experience is credible and credible. This article analyzes how the director, in this unusual direction, has practiced the arduous and great spiritual exploration through different works in each stage of his own.