“无丑不成戏”的潮丑表演艺术

• 作 者: 陈幸希
• 出 处: 广东艺术
• 发表日期: 2010年04期
• 关键词: 蓝继子 刺梁骥 柴房会 牵鬼上剑 金花女 台下观众 胡连 卖胭脂 即兴表演 胡琏

潮剧的丑行是一个表演手法比较丰富、地方特色较为浓厚的行当。潮剧丑角的表演可谓浑身是戏,满台生辉,深受观众欢迎,故而潮谚有“无丑不成戏”之说。潮剧丑行的表演多姿多彩:有的纯朴憨厚,如《蓝继子》中的蓝继子;有的滑稽无赖,如《闹钗》中的胡连;有的机警风趣,如《刺梁骥》中

Chao Shi’s ugly act is a show more rich in practices, the local characteristics of a more strong line. Chaozhou opera harlequin performances can be described as whole body is a play, full of brilliance, welcomed by the audience, so the tide proverb “no ugly no play ” said. Chao Opera ugly performance colorful: some plain simple and honest, such as “Blue Stepper” in the Blue Step; some funny rogue, such as “Nao Chai” in the Hu Lian; some wit and humor, such as “Rogue”