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2005年7月30日,作为“法国文化年”闭幕系列展的第二组合“哈同中国展”在中国美术馆展出。汉斯·哈同是法国重要的抽象画家,1950年代,他与苏拉热、施奈德并称“抒情抽象三杰”,此次“哈同中国展”的展出无疑具有重要意义。但与这次展览的重要性形成对比的是,观众对这次展览并没有表现出太多的热情,关于此次展览的相关文章也鲜有发现。这使我想起了同属“法国文化年”的“法国印象派绘画珍品”展,据《人民日报》(2004年11月26日第9版)报道:截至目前,展览的观众总量已突破25万人次,日近7000人次,双休日高达1．3万人次。“哈同中国展”
On July 30, 2005, Hahax China, the second group exhibition on the closing series of “Year of French Culture,” was exhibited at the China National Art Museum. Hans Hutong is an important abstract painter in France. In the 1950s, he and Sulage and Schneider called the “Lyric Abstract Three”. The exhibition “Hacao China” undoubtedly is of great significance. However, in contrast with the importance of this exhibition, the audience did not show much enthusiasm for the exhibition. Articles related to the exhibition were rarely found. This reminds me of the “French Impressionist Painting Treasures” exhibition, which belongs to the “Year of French Culture.” According to People’s Daily (November 26, 2004, 9th Edition), the total number of viewers has exceeded 250,000 Number of passengers, nearly 7,000 passengers, up to 13,000 people on weekends. “Kazakhstan with China Exhibition”