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吴梅是中国传统戏剧理论的集大成者,本文以吴梅戏剧批评中对“曲”与“情”的关系的论述为研究视角,从“曲”为“情”而作、“曲”因“情”而美、“曲”之传“情”本色三个方面探析吴梅戏剧批评之情感观。
Wu Mei is a master of Chinese traditional drama theory. This essay is based on the discussion of the relation between “song ” and “love ” in Wu Mei ’s dramatic criticism. From “song ” to “love However, the emotional viewpoints of Wu Mei ’s dramatic criticism are discussed from three aspects: ”love“ and ”beauty“, ”song“ and ”love".