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“在一片鼓声中,响起了典型的敲击乐器——非洲木琴‘姆比拉’的声音。它的声音越来越响,有时像是管弦乐队的风笛,那些低音又像鼓声、圆喇叭声和低音的大箫声。……他们又奏起‘姆比拉’,一支黑人歌曲,柔和、嘹亮的谐音充满整个舞台,从木琴中部简单、坚韧的琴板上,发出婉转的银铃似的乐声,好像在奏一段抒情曲。接着木琴上的低音轰响,似乎要中和那动人心魄的高音曲调。听着这种丰富多采的音乐,黑人观众和白人观众都像着魔似的飘飘然”。这是两个捷克人杰·汉泽尔卡和米·西克蒙特合著的《非洲一梦想与现实》中描写非洲
In a drum sound, the sound of a typical percussion instrument, the African xylophone “Mabila” sounded, louder and louder, sometimes like an orchestra’s bagpipes, bass drums and rounds Trumpets and bass. ... They played another ’Mabira’, a black song, soft and loud harmonics filling the stage, sending a mild silver from the simple, tough lyre board in the center of the xylophone The bell-like sound seems to be playing a lyric song, and then the bass sound on the xylophone seems to neutralize the striking treble melody, listening to this rich and varied music, the black audience and the white audience are like magic Floating in the sky. " This is a description of Africa in Africa’s One Dream and Reality co-authored by two Czechs, Jie Hanselka and Michel Sikmont.