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时间:1999年6月3日 地点:西安北郊省国画院崔振宽工作室 问:您所理解的“笔墨”都有哪些含义? 崔:笔墨是中国绘画里内涵很深的东西,不是一般的形式问题;中国画的一切因素都可通过笔墨来表达。笔墨在某种程度上代表着画家的精神气质。 中国画笔的运行过程包含着极为丰富的变化,起笔、落笔和运笔,以及一波三折的回旋,表现的是一种力度和精神。笔墨是内敛的、内聚的,与中国传统文化和哲学观念紧密相系,与中国书法有关,具有独立的欣赏价值。 西方油画是笔触的组合。它的笔道没有独立的意义。西方绘画的线是开放的,是啥就是啥,这一点与中国绘画完全不同。 笔墨除了在中国绘画当中所具有的工具属性外,还构成了形式符号与个性化的笔墨
Time: June 3, 1999 Venue: Cui Zhenkuan Studio, National Academy of Painting, Beijiao, Xi’an Q: What do you mean by “pen and ink”? Cui: Pen and ink is a deep connotation in Chinese painting, not a general form Problems; all the elements of Chinese painting can be expressed through the brush and ink. To some extent, the ink and brush represent the artist’s temperament. The operation process of Chinese brush contains extremely rich changes. It is a kind of strength and spirit that the brushwork, brushing and brushing of twists and turns, as well as twists and turns. Pen and ink are introverted and cohesive, closely related to traditional Chinese culture and philosophical concepts. They are related to Chinese calligraphy and have independent values of appreciation. Western painting is a combination of brushwork. Its writing style has no independent meaning. Western painting lines are open, what is what, this is completely different from the Chinese painting. In addition to the pen and ink in the Chinese painting which has the tool attributes, but also form the form of symbols and personalized ink