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在目前的电影制作中,数字技术创造的画面经常能更好地模拟真实甚而超越真实,极大地拓展了电影艺术的表现空间,而数字技术本身也俨然成为了电影立体化表现三维空间、加强时空效果的必不可少的手段。数字技术影响着电影的创作者和受众的审美需求,然而数字技术的介入究竟给电影的美和审美带来了怎样的变化,对于数字电影美学体系的建构都是正在探索中的问题。传统的胶片美学并不能适应当下新兴的数字电影技术,有关电影美学的变革亟待研究,本文尝试通过个案分析去提炼这样的变化。
In the current film making, the pictures created by digital technology can often better simulate the real and even surpass the real, greatly expanding the performance space of the movie art, and the digital technology itself has become the three-dimensional space of the movie’s stereoscopic performance, strengthening the space-time The effect of the indispensable means. Digital technology affects the aesthetic needs of film creators and audiences. However, how the involvement of digital technologies has changed the aesthetic and aesthetic aspects of the film is an issue that is being explored in the construction of digital movie aesthetic system. The traditional film aesthetics can not adapt to the current emerging digital cinema technology. The change of movie aesthetics needs to be studied urgently. This paper attempts to extract such changes through case analysis.