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《紫禁城》雜誌常以詩詞開篇,皆名家之作,又多影印手蹟,這些詩我是首先拜讀的。然而每讀到這類以紫禁城為題或以宮苑隨感立意的詩作,我總要想起另一首詩。那是徐志摩寫的一首題為《殘詩》,是他全部詩作中涉及紫禁城中事的唯一之作,收入一九二五年出版的他的第一本詩集——《志摩的詩》。在全詩短短的十二行中,雖然全無宮牆、丹陛、寶座一類的詞句,但一看就知道他寫的是一九二四年十一月溥儀出宮後的故宮。曾經有人判定詩的主旨是為被驅逐的末代皇帝鳴寃叫屈的,因而若干年來它也常常為人徵引出來,充當某種靶子。而喜愛這首詩的我,除了默默地為詩人鳴一分不平外,却也因此而長久地、長久地不能將這一首詩忘却……
The Forbidden City often begins with poems, all made by famous writers, and more photocopies of handwriting. I read these poems first. However, every time I read such poems with the Forbidden City as their theme or following the ideas of the court, I always think of another poem. It was a poem written by Xu Zhimo entitled “The Crucial Poem”, the only one of his poems that dealt with the affairs of the Forbidden City. His first collection of poems, published in 1925 - “Shima’s Poems” . In the short twelve lines of the poem, although there is no word or phrase on the wall, Danbi, or throne, he can see at a glance that he wrote the Forbidden City after Pu Yi’s appearance in November 1924. It was once judged that the main purpose of the poem was to give grievances to the exiled Emperor who had been deported. For a number of years it has also often led people to act as a target. And I love this poem, in addition to silently poet unequaled, but also for a long time, long time can not forget this poem ......