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传统古筝艺术的表现形式丰富多样,主要表现在繁复多变的指法,美妙动听的音响效果,演奏技巧的多元化。但也存在小指处于闲置的地位,左右手技法完全失衡,各派别内部技法风格和乐曲题材比较单一等问题。因此,应改进快速指序技法,促进五个手指的平衡发展与运用;左右手技法平衡发展;加强不同流派之间的交流与合作。
The performance of traditional guzheng art is rich and varied, mainly manifested in the complex and changeable fingering, beautiful and pleasant sound effects, diversification of playing skills. However, there are also problems such as the fact that the little finger is in an idle position, the left-right hand technique is completely unbalanced, and the internal technical styles and music themes of the various factions are rather single. Therefore, we should improve the rapid sequence technique and promote the balanced development and application of five fingers. We should balance the development with the techniques of left and right hand, and strengthen exchanges and cooperation among different schools of thought.