论文部分内容阅读
架上油画如今似乎已江郎才尽,装置艺术、录像艺术、行为艺术以强劲的势头席卷世界。艺术的全球化走向导致了艺术的“家族相似”,大型的美术展览如“威尼斯双年展”、“卡塞尔文献展”均以架下艺术为主导,艺术变成了哲学、社会学、政治学、地缘学等等,艺术家则成为了思想家、演说家、外交家、谈判家,所以理论家们不停地惊呼“艺术的死亡”与“艺术史的终结”。事实上艺术的确在不断地抛弃“私
Nowadays, it seems that the oil painting has been done. Installation art, video art and performance art swept the world with strong momentum. The globalization of art led to the “family analogies” of art. The large-scale art exhibitions such as the “Venice Biennale” and the “Kassel Documentary Exhibition” all dominated the art-setting stage and turned art into philosophy, sociology, Political science, geography, etc. The artist has become a thinker, orator, diplomat, negotiator, so the theorists kept exclaiming “the death of art” and “the end of art history.” In fact, art is indeed constantly abandoned