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走进他的工作室,你会完全忘掉都市的喧嚣,立刻被那些挂满墙壁的文学界、政界、商界、文艺界人士的肖像作品所吸引。在这里,我们仿佛听见历史的脚步,仿佛看见时代的推移。我们感受着生活的力量和心灵的深邃……魏德运不只是复制了人的外表,从那里我们发现了令人惊异的美。他更创造了人的性灵,在其中我们被震慑、被吸引。1996年冬,魏德运只身一人来到北京,行装单薄,除了一些生活用品之外,只有一架破旧的伤痕累累的国产海鸥 DF-2相机。他就是用这样一部圈内人士“罕见”的“寒酸”器材拍出了许许多多令人耳目一新的肖像佳作。
Into his studio, you will completely forget the hustle and bustle of the city, immediately covered by walls of literary, political, business, literary figures attracted to portraits. Here, we seem to hear the pace of history, as if to see the passage of time. We feel the power of life and the deep soul ... Wei Deyun not only copied the appearance of people, from where we found astonishing beauty. He even created the human spirit, in which we were deterred and attracted. In the winter of 1996, Wei Deyun came to Beijing alone with a flimsy package. Apart from some daily necessities, there was only one dilapidated scarred domestic seagull DF-2 camera. He just made a number of refreshing portraits of such an out-of-the-box “rare” “shabby” equipment.