世界仍然在别处

• 作 者: 董丽敏
• 机 构: 上海大学文学院中文系 副系主任
• 出 处: 中国新闻周刊
• 发表日期: 2004年期
• 关键词: 贾樟柯 第六代导演 电影审查制度 公众视线 成人仪式

拾荒人佝偻的身影一点点走向画面中央,贾樟柯从地下到地面的“漂流”终于如愿以偿地拉开了序幕。某种意义上,4月8日公映的《世界》似乎构成了一个颇有意味的事件: 一个第六代导演终于从第五代强大的阴影中冠冕堂皇走进公众视线的成人仪式,一个在电影审查制度与“独立制作”的博弈间挤出一条羊肠小道的经典案例——这标志着贾樟柯从生涩青虫向斑斓蝴蝶蝉蜕的完成。毫无疑问,我们是带着一种修成正果的期待走进电影院的。但终场之

Scavenged by the scruffy body a little bit toward the center of the screen, Jia Zhangke from the ground to the ground “drifting” finally got his wish kicked off. In a sense, the “world” that appeared on April 8 appeared to be a rather interesting event: an adult ritual of sixth-generation directors finally reaching the public eye from the powerful shadow of the fifth generation, Censorship system and the “independent production” of the game out of a gut trail classic case - which marks the Jia Zhangke from jerusalem caterpillar to the beautiful butterfly cicada slough completed. There is no doubt that we entered the cinema with a vision of genuine accomplishments. But the end of the game