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本文试图描绘秘鲁诗人塞萨尔·巴耶霍诗歌中逐渐走强的“客体化”趋势。在前期作品中,他高度聚焦于自我,每每作为抒情主体直接出场并坦白叙写爱情、亲情、友情、乡情的日常经验;但到后期,他越来越倾向并善于跳出自我的拘囿,从外部观自身、从身体观灵魂、从死亡观生存,尽量客观地去除个人化甚至人性化描写。这一趋势可以承受马克思主义理论的解读,但在文学内部研究的范畴中,应当被视为欧美诗歌现代性的一种症候。
This article attempts to depict the growing trend of “objectification” in the poem of Cesar Vallejo, a Peruvian poet. In the earlier works, he focused highly on himself, often appeared directly as a lyric subject and confessed his daily experience of love, affection, friendship and nostalgia. However, in the later period, he became more and more inclined to jump out of his custody External view of their own, from the body concept of soul, from the concept of death to survive, as far as possible to objectively remove the individual or even human description. This trend can withstand the interpretation of Marxist theory, but it should be regarded as a symptom of the modernity of European and American poetry in the field of literary internal research.