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汪曾祺“复出”后的小说表现出明显的“返回”倾向:返回的基础是作家“自我”意识的回归,返回的路向是传统和民间,返回的归宿是人性的自由。
Wang Zengqi’s novels after “comeback” show the obvious “return” tendency: the return is based on the return of the writer’s “self ” consciousness, the return is traditional and folk, and the return to the destination is the freedom of human nature.