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当代著名释义学美学家伽达默尔认为,建筑是具有目的性和意向性的艺术,而建筑师所进行的正是这两方面相向可逆的“双重顺应”的工作。这里所谓目的也就是伽氏在其名著《真理与方法》中指出的“原型”,它是建筑本体意义上把生活功能模式化的一种表述;而所谓意向,则是来源于社区的历史及其流传物与现时的艺术、风俗共生的一种联想,是心理体验的寓意。工业时代的社会结构孕育着现代建筑的原型,而机器美学的追求又造就了经济、简洁、抽象的建筑艺术。建筑艺术的双重顺应,一方面,为了使建筑本体得以实现,需要对人的生活模式进行深入研究,从而得到建筑合理的内在秩序,我们称之为“功
According to Gadamer, a famous contemporary interpretationist esthetician, architecture is a purposeful and intentional art, and what architects do is exactly the opposite and reversible “double adaptation” work. The so-called purpose here is the “prototype” pointed out by Gabriel in his famous book “The Truth and Method”. It is a representation of the function of life in the construction ontology. The so-called intention is derived from the history of the community and Its association with the current art and customs is a symbol of the psychological experience. The social structure of the industrial age gave birth to the prototype of modern architecture, and the pursuit of machine aesthetics created economic, concise and abstract architectural art. The dual conformity of architectural art, on the one hand, requires the in-depth study of human life patterns in order to achieve the construction of the ontology, so as to obtain a reasonable internal order of the building.