清雅辉光里的意趣人生——谈杨永福的水彩艺术

• 作 者: 汤志刚
• 机 构: 成都大学,四川省美协水彩艺委会,
• 出 处: 现代艺术
• 发表日期: 2016年05期
• 关键词: 水彩艺术 永福 原初状态 光色 情感寄托 五通桥 色彩观 写意精神 画论 语境化

画家籍由中国传统笔墨和意境美学入手,把现实的风景改造成了自己梦中的天使乐园,在混沌的光色世界里演绎了一种“梦境式”的语境状态:画家没有沉迷于物像的原初状态,而是借古人言情之心境中蜕变出了内心的山水。杨永福先生的水彩艺术与他的人生经历有着无法割裂的紧密联系。在他的许多作品中你能找到对故乡情愫的穿越旅行,亦能寻觅到中国传统绘画的意趣宣泄,隐逸淡泊的文人逸景凸显于画面其间,对传统的守护开启了他对自我内心家园的连接与倾诉。

Paintings by the traditional Chinese ink pen and artistic conception aesthetics start to transform the real scenery into an angel’s paradise in their dreams, in the chaotic light color world in a “dreamlike” context: the artist did not indulge In the original state of objects and objects, but by the ancients romance of the heart transformed into the inner landscape. Mr. Yang Yongfu’s watercolor art has inextricably linked with his life experiences. In many of his works, you can find cross-country travel to the hometown, and you can also find the traditional Chinese painting’s catharsis. The secluded literary man’s yi-jing is highlighted in the picture. The traditional guardian has opened his mind to his inner self Connect and talk.