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当前,旅游业已飞快地发展起来,并成为国民经济的重要组成部分,而和旅游业紧紧相连的风景园林美学的研究尚处在初级阶段,或者说对其基本原理尚不甚了了。以往在解释风景园林的审美、在风景园林的建设时往往借助于文艺美学。但是,文艺美学的对象往往是处于一个陈述的视界,其美学内涵只能在观赏者的想象和理解中实现。而风景园林则不同,它是活生生的境遇,观赏者能走得进去、跑得出来。亦即是说,以往的文艺美学相对于风景园林只不过是“纸上谈兵”,很不切合实际。因此,对风景园林的美学研究,不仅关系到如何阐释风景园林景观和游赏者之间
At present, the tourism industry has developed rapidly and has become an important part of the national economy. However, the study of landscape aesthetics closely linked to the tourism industry is still in its infancy, or its basic principles are still not enough. In the past, the interpretation of aesthetics of landscape architecture and the construction of landscape architecture often used literary aesthetics. However, the object of literary aesthetics is often in a statement of vision, and its aesthetic connotation can only be realized in the viewer’s imagination and understanding. The landscape is different. It is a living situation. The viewer can walk in and run. In other words, the literary aesthetics of the past is nothing more than a “paper talk” relative to landscape architecture. It is not realistic. Therefore, the aesthetic research on landscape architecture is not only related to how to interpret the landscape landscape and tourists.