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在明代,青花山水画法就已经开始流行。直至清代,青花山水的发展到达了巅峰。青花山水这类艺术手法,其实是在花瓶、碗等土坯上进行山水画的描摹,再通过高温烧制而成,体现出国画山水画的墨韵。其实,青花山水瓷韵与国画山水画的墨韵是殊途同归的。笔者在本文中通过对国画山水画、青花瓷及其艺术手法进行分析并简介,探寻当代青花山水画与国画山水画间的联系,通过艺术再现,让青花山水瓷韵与国画山水墨韵能够完美融合。
In the Ming Dynasty, blue and white landscape painting method has already begun to pop. Until the Qing Dynasty, blue and white landscape reached its peak. Blue and white landscapes such art practices, in fact, in vases, bowls and other adobe landscape painting description, and then fired through high temperature, reflecting the ink painting landscape painting. In fact, the blue and white porcelain landscape rhyme and ink painting is the same thing. Through analyzing and introducing the traditional Chinese landscape paintings, blue and white porcelain and their artistic techniques, the author explores the connection between the contemporary blue and white landscape paintings and the traditional Chinese landscape paintings. Through the artistic reproduction, the blue and white porcelain landscapes can be perfectly integrated with the traditional Chinese landscape paintings.