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主张确立批评标准多样性的理论地位,并提出了艺术来源于审美感;美学的尺度是艺术批评的最高尺度;批评的对象不等于客观外在的文艺现象;美感、生活事象、物质媒介是作品构成的三要素;以及批评主体的动态性等观点。
Advocating the establishment of the theoretical status of criticizing the diversity of standards and putting forward the origin of art from aesthetics; the standard of aesthetics is the highest standard of artistic criticism; the object of criticism is not equal to the objective external literary phenomenon; the sense of beauty, the phenomenon of life and the material medium are works Constitute the three elements; and criticize the dynamic view of the main body.