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范勃对我说他的作品是对世纪末某种心理现实的记录,他最近的研究生毕业创作草图甚至也是以这个主题为基调的。这个主题无疑具有一定的挑战性,这不仅因为中国的文化现实在这个特殊历史阶段混杂了太多难以理清的矛盾,而且因为在玩世不恭的艺术时尚中,完成这类表述需要更多的理性勇气。 近两年,具象绘画的回潮已渐成趋势,我们的批评家似乎未能对这种变化作出反应和判断:它到底是某种保守性或商业化的技术趣味的再现,还是预示着某种新的文化态度和艺术表述方式的兴起?就整体而言,除东北、贵州
Van Bo told me that his work is a record of some psychological reality at the end of the century, and even his recent master’s graduation sketches are even based on this theme. This theme undoubtedly poses some challenges, not only because of the fact that China’s cultural reality is mixed with too many unmanageable contradictions in this special historical period, but also because in the cynical art and fashion it takes more rational courage to complete such statements . In the last two years, the resurgence of figurative painting has become a trend. Our critics do not seem to be able to respond to such changes: whether it is a reproduction of a conservative or commercial technological interest, or a certain The rise of new cultural attitudes and artistic expressions? On the whole, except northeast and Guizhou