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美国艺术史家乔纳森·克拉里长期致力于现代视觉文化起源的研究。在《知觉的悬置:注意力、景观与现代文化》一书中,克拉里围绕着19世纪以来与注意力、知觉相关的问题,考察了马奈、修拉和塞尚的作品,并选取具体作品作了详细解读克拉里认为:“他们当中的每一个都深深地介入了知觉领域中的分解、空缺与断裂的独特遭遇,每一个都前所未有地发现了有关集中注意力的知觉的不确定性,而且,每一个都发现了这种不稳定性如何可以成为知觉经验及再现实践的重新创造的基础。”《画刊》选编了该书中克拉里阐释分析马奈《在花园温室里》的内容,连载刊出。
Jonathan Clarrie, an American art historian, devoted himself to the study of the origin of modern visual culture. In his book, Suspension of Perception: Attention, Landscape, and Modern Culture, Clarrey surveys the works of Manet, Seurat and Cezanne around the issues of attention and perception since the nineteenth century and selects Detailed Works Clarie argues: “Each of them is deeply involved in the unique experiences of decomposition, vacancy and fragmentation in the field of consciousness, each of which unprecedentedly finds its concentration on the perception of concentration Uncertainty, and, moreover, each discovers how this instability can be the basis for recreating perceptual experience and reproductive practices. ”“ The Pictorial ”, edited by Clarie in the book, explains“ Greenhouse ”content, serial publication.