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叙事作品的视角是叙事主体赖以观照对象、表现对象的起点,它折射着主体的审美趣味与美学选择。但由于客观原因而致叙事视角灭失的情形是很正常的,在这种情况下如何维系叙事的线性流畅与横向丰满,使某一灭失的视角得以重现,叙事者往往启用想象这一妙招。本文结合叙事理论和作家的想象张力来探讨有关抗战时期著名将领张自忠将军的叙事文本,来讨论叙事者是如何发挥想象来对灭失的视角予以补偿,以及想象张力度应如何把握的相关问题。
The angle of view of the narrative works is the starting point for the narrative subject to reflect on the object and the object, which reflects the subject’s aesthetic taste and aesthetic choice. However, it is quite normal that the narrative point of view is lost due to objective reasons. In such a situation, how to maintain the linear smoothness and horizontal fullness of the narrative, so as to make some lost perspective reproduce, and the narrators often enable the imagination. Based on the narrative theory and writer’s imagination tension, this article explores the narrative text about General Zhang Zizhong during the Anti-Japanese War to discuss how the narrator exerts his imagination to compensate for the loss of perspective and how to grasp the extent of the tension.