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《所罗门之歌》(Song of Solomon,1977)是美国黑人女作家托妮·莫里森为数不多的以男性作为主人公的作品。在这部作品中,莫里森呈现了奶娃在南北空间变换下其自身伦理特性的相应改变。北方的空间属性使奶娃的伦理特性呈现混乱的状态,而这一切的伦理缺场,都在由北向南的空间位移中得以恢复和重建。本文尝试以文学伦理学批评理论和空间理论相结合的方式,探究奶娃在由北向南的空间变换前后,其伦理缺场到重建的原因,得出南方才是黑人正确的伦理特性得以扎根的宝地,也正是这片南方宝地,才使奶娃从“黑皮香蕉人”“变形”到具有族裔身份的美国黑人,找到自我的族裔归宿。
Song of Solomon (1977) is one of the few male-dominated works by the African American woman writer Toni Morrison. In this work, Morrison presents the corresponding changes in the ethical characteristics of the baby doll under the transformation of the space between the north and the south. The spatial properties in the north have left the chaos of the baby’s ethical identity, and all of these ethical absences have been restored and rebuilt from the north-south spatial displacement. This article tries to explore the reason why the ethic missing from the reconstruction before and after the baby’s transformation from north to south in the way of the combination of the theory of literary ethics criticism and the theory of space to find out that the correct ethical characteristics of the black people take root in the south Treasure land, it is also this piece of treasure in the South, only make the baby from “black banana man ” “deformation ” to African-Americans with ethnic identity, to find their own ethnic origin.