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一问题的提出在黄宾虹晚年的画学思想中,“道咸画学中兴”说无疑是其最为重要的观点之一。黄氏一九五一年在《论道咸画学》一文中说:“金石之学,始于宣和,欧、赵为著;道咸之间,考核精确,远胜前人。中国画者亦于此际复兴,如包慎伯、姚元之、胡石查、张鞠如、翁松禅、吴荷屋、张叔宪、赵叔,得有百人,皆以博治群书,融贯今古,其尤显著,画用水墨。”①并在题画
A question raised In Huang Binhong’s painting in his later years of thought, “Road salty painting ZTE” is undoubtedly one of its most important point. In 1951, Huang wrote in his article “On the Art of Dao Salt Painting”: “The science of gold stone began with the works of Xuan He, Ou and Zhao, and between Taoism and Xian, the examination was accurate and far better than the predecessors. He also rejuvenated in the meantime, such as Bao Shenbo, Yao Yuanzhi, Hu Shi Cha, Zhang Juru, Weng Songchen, Wu Hewu, Zhang Shu Xian and Zhao Shu. , Painting ink. ”① and in the title