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中国人很早就已认识到工艺之美。《材美工巧,匠心独运》一文,详细分析了成书于东周时期的《考工记》中提出的“材有美,工有巧”的设计标准,并认为这是工艺之美的呈现方式。西汉帝国的巩固和强大,逐渐形成了以汉文化为主体的多元一体的中华文化,为不同区域、不同民族的工艺美术的交流创造了条件。《古滇国青铜贮贝器造型艺术探究》一文,以古滇国青铜器的代表器物贮贝器为例,用类型学的方法进行分类和分期,深入论析了三类贮贝器的不同功能,有助于我们认识西汉滇文化的地域文化及其风采。
Chinese people have long realized the beauty of craftsmanship. The book entitled “Beauty, Cleverness and Originality,” elaborates the design criteria of “material beauty, artfulness and cleverness” put forward in the “Kao Gong Ji” which was written in the Eastern Zhou Dynasty and considers it as the beauty of the craft the way. The consolidation and power of the Western Han Empire gradually formed a multi-integrated Chinese culture with Han culture as the main body, which created the conditions for the exchange of arts and crafts between different regions and different ethnic groups. “Ancient Yunnan Dian bronze container modeling art exploration,” a text, the ancient Yunnan Dian bronze representatives of the container as an example, using typological methods for classification and staging, in-depth analysis of the different functions of the three types of storage device , Helps us to understand the culture and style of the Western Han Dynasty Yunnan culture.