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在我看来,观看、触摸、材料、地点、形状这些因素对于作品完成过程来说都是不可分割的。很难说从何处哪一个开始,哪一个结束。地点在漫步的过程中被发现,方向的决定要根据季节和气候的因素。我抓住每一天这些因素提供给我的契机。下雪时,我用雪进行创作,落叶的时候我用树叶;花开过后的树木成为萌发新的枝条的源头。我在某处停留或拾起一块材料是因为我觉得这里有些东西正等待我去发现。这里有我要学的东西。一个地方我可能以前去过并在那里工作过许多次,有些地方我一次又一次地返回,深入探究经过很长时间形成的一层层之间的关系。在一个地方的驻留使我更深地明了变化的奥秘。经过一段时间我可能会放弃,我对某一地点的感悟力常常有限到令
In my opinion, the factors of watching, touching, material, location and shape are all inseparable from the completion of the work. It’s hard to say where one started and which one ended. The location was found during the wandering and the direction was decided according to the season and climate factors. I seize the opportunity offered to me by these factors every day. When I was snowing, I used snow to create things, and I used leaves when I was falling; the trees after they were blossomed became the source of new branches. I stayed or picked up a piece of material somewhere because I thought something was waiting for me to find out. Here’s what I want to learn. I’ve probably been there before and I’ve worked there many times, and in some places I’ve returned again and again to explore the layers of relationships that have taken a long time to come by. The presence in one place gives me a deeper understanding of the mysteries of change. After some time I may give up, my perception of a place is often limited to order