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新世纪以来,中国电影发展态势逐渐开放和多元,类型化已成为电影创作者最重要的艺术方法和市场策略。近年来理论界对类型电影的研究日益重视起来,既有对中国类型电影的创作特征的读解与分析,又有对电影史上出现的类型化创作倾向的梳理与总结。无论是类型电影的基本理论问题,还是类型电影的研究方法,仍然是众说纷纭。我们面对的类型电影和类型电影研究,理论界并没有建立起类型电影的科学评价体系和标
Since the beginning of the new century, the trend of Chinese movie development has gradually become open and diverse. Typification has become the most important artistic method and marketing strategy of film creators. In recent years, theorists have paid more and more attention to the research of type film. They both read and analyze the creative features of Chinese type film, and sort out and summarize the tendency of genre creation appearing in movie history. Whether it is the basic theoretical issue of type film or the type of film research methods, there are still many different opinions. We are facing the type of film and type of film research, theorists do not establish a type of film science evaluation system and standard