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也许你没有读过《桃花扇》,但不大可能没有听说过李香君这个名字。也许你没有读过余怀的《板桥杂记》,但不大可能没有听说过“秦淮八艳”。说起来,这两部作品都写于明清之际那场天翻地覆的剧变之后,隐藏在狭邪艳冶和风流觞咏里的,是痛定思痛的沉重。不过,人是很善于消遣历史的,当盛世重来,笙歌再起,旧日不能承受的沧桑之痛经过时光的淘洗漂滤,一一转换成茶余饭后的谈资。于是,长板桥边的旖旎,旧院内外的笙歌,灯火画舫,妆奁粉黛,李香君的媚香,顾横波的迷楼,都翩翩然脱化成轻盈的记忆。加上
Maybe you have not read Peach Blossoms, but it is unlikely that you have not heard of Lee Hyung-jun. Perhaps you have not read Yu Hua’s “Banqiao miscellany”, but not likely to have heard of “Qinhuai Banyan.” All in all, these two works, which were written in the twists and turns of the Ming and Qing dynasties, were hidden in the crafty and romantic flair, and they were painfully hard wondering. However, people are very good at recreational history, when the world again, the comeback, the old days can not bear the pain of the vicissitudes of time after the washing and filtration, one by one into a gossip talk. As a result, the long Banqiao charming, old house inside and outside of the Shengge, lights Fang, makeup 奁 powder Dai, Li Xiangjun’s sweet incense, Gu Hengbo’s fans, are all turned into a light-hearted memory. Plus