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刘潇:你如何理解你和你的作品之间的关系?刘佳婧:作品和我之间的关系一直都是不断变化的。我最早接触与艺术相关的事情是跟我大伯父练习写字,伯父是当地小有名气的书法家,当时跟着他练习写字完全是由于我妈觉得我太好动,练习书法有助于磨炼定力。创作本身就是一种练习,是对自身的打磨。这种状态一直持续到我进入中国美院,我开始意识到创作不仅仅是一种体力上的磨炼和修正,专业的艺术家应该具备对物性的了解、形状的建构、色彩的把握、空间的认知上的一种直觉,这种直觉能使作品获得关键效果并打动观众。因此,我一直都觉得我的
Liu Xiao: How do you understand your relationship with your work? Liu Jiajing: The relationship between my work and me has always been changing. My earliest contact with the art related things is to practice writing with my uncle, the uncle is a famous local calligrapher, was followed by his practice writing is entirely due to my mother think I am too good to practice calligraphy helps to hone the force . Creation itself is a practice, is its own grinding. This state lasted until I entered the Chinese Academy of Fine Arts. I began to realize that creation is not merely a physical exercise and correction. Professional artists should have the understanding of physical properties, the construction of shape, the grasp of color, and the recognition of space An intuition of knowledge, this intuition can make the work to obtain the key effect and impress the audience. So I always feel mine