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“二战”后,西方知识分子对战争的创伤心有余悸。宗教信仰的沦落、人际关系的冷漠以及物质高压下人性的异化等现实问题直接敲打着西方知识分子的心灵。在存在主义哲学的影响下,西方文化界兴起“荒诞潮”,荒诞派戏剧运用抽象变形的非理性形式,将现代人的孤独、焦虑兀现在舞台上,传达某种“心灵的真实”。 让·热内(法国人,1910-1986年)可谓荒诞派剧作家中的佼佼者。他与魏尔伦、兰波等一道归于
After World War II, western intellectuals linger on the trauma of the war. Realistic problems such as the decline of religious beliefs, the indifference of interpersonal relationships and the alienation of human nature under material pressure directly beat the hearts of Western intellectuals. Under the influence of existentialist philosophy, the rise of “absurd” in Western cultural circles, the use of absurdist forms of absurdity in irrational forms of abstract deformation, and the loneliness and anxiety of modern people on the stage to convey some “truth of the mind.” Jean Genène (Frenchman, 1910-1986) is the leader of the absurd playwrights. He and Verlaine, Rimbaud, etc. together